Otis reading dock of the bay lyrics
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It was far from obvious how Monterey's white Northern audience, anxious to hear The Who, Jefferson Airplane, and The Mamas and The Papas, would respond to the "King of Southern Soul." After a successful tour in Europe, he was looking for an opportunity to reach a more diverse American audience, but his performance style had been honed before predominately Black fans. His decision to perform at Monterey had been both calculated and risky.
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His performance at the June 1967 Monterey Pop Festival in California was a turning point.
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He was far from unknown to pop and rock fans three of his songs had cracked the pop Top 40. In 1967, Redding was on the brink of reaching a broader audience. In addition to these songs, all of which Redding either wrote or co-wrote, he released a cover of the Rolling Stones' " Satisfaction," which reached #4 on the R&B charts in 1966.
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In 1960, Redding began singing with Johnny Jenkins and the Pine Toppers and, in 1963, he scored his first individual hit with "These Arms of Mine." He followed up this success with a series of hits on the R&B charts, including "Mr. At fifteen, he dropped out of high school and began singing a different kind of music-he joined the Upsetters, the old band of another Macon resident, Little Richard. Born in Dawson and raised in Macon, Georgia, he cut his musical teeth in a Baptist church choir. Does it tell the story of a man at peace with the rhythms of life, or does it express a more pessimistic sadness, even defeat?īy the time Redding recorded "Dock of the Bay," he was a major figure in R&B markets. In many ways, it is still inextricable from his tragic death.īut listeners have always been divided on the spirit of Redding's final work. The song was released just weeks after he was buried in Georgia, so it was widely heard as his epitaph. Otis Redding finished recording "(Sittin' On) The Dock of the Bay" just days before the plane crash that took his life. Meaning King of Southern Soul Takes on Monterey